Monday 14 November 2011

Laura Mulvey

Before talking about the male gaze, it is first important to introduce its parent concept: the gaze. According to past studies the gaze is a concept used for “analysing visual culture… that deals with how an audience views the people presented.” The types of gaze are primarily categorized by who is doing the looking.


While the ideas behind the concept were present in earlier uses of the gaze, the introduction of the term “the male gaze” can be traced back to Laura Mulvey and her essay “Visual Pleasure and Narrative Cinema” which was published in 1975. In it, Mulvey states that in film women are typically the objects, rather than the possessors, of gaze because the control of the camera (and thus the gaze) comes from factors such as the as the assumption of heterosexual men as the default target audience for most film genres. While this was more true in the time it was written, when Hollywood protagonists were overwhelmingly male, the base concept of men as watchers and women as watched still applies today, despite the growing number of movies targeted toward women and that feature female protagonists.

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